Keats nature thesis

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Keats nature thesis

Ode on a Grecian Urn 2. Ode to a Nightingale 2. Introduction This writing focuses itself on John Keats, who lived a short time between the 18th and the 19th century he was born in and died inand his conception of Beauty and Nature.

Moreover, he himself was killed by tubercolosis at the early age of twenty-five in he accompanied his friend Charles Brown on a walking trip through Northern England and Scotland, but the physical fatigue, the rain and the strict diet porvoked him a violent cold which resulted in tuberculosis.

His poetry was influenced by the events occurred to him and, in fact, most of his poems are imbued with a sense of melancholy, death and mortality. The memory of something beautiful brought him joy, as he wrote in the opening lines of Endymion: Beauty could be either physical women, nature, statues, paintings or spiritual friendship, love, poetrythough they were to be considered together, since physical beauty was simply the expression of spiritual beauty and, even if the former might be subject to time and decay, the latter was eternal and immortal.

Imagination recognizes Beauty in existing things, but also it is the creative force of Beauty. In the letter to his friend Benjamin Bailey[1] Keats wrote: Keats and nature Nature was one of the greatest sources of inspiration for Keats.

Like Wordsworth he had a cult of nature, though, unlike him, he did not see an immanent God in it.

Keats nature thesis

He simply saw another form of Beauty, which he could transform into poetry without the aid of memory; he only enriched it with his Imagination. For this reason, unlike Wordsworth, whose relationship with nature was spiritual, he looked at nature with the eye of the aesthete, recreating the physical world, including all living things.

Nature was a major theme among the Romantics, but Keats turned natural objects into poetic images. When he already knew that he was gonig to die, he looked back at childhood and realized that concrete contact with natural objects at that time was responsible for the postitive associations they continued to communicate in adulthood[2].

It is an intuitive activity of mind, a metaphysical process in which nature is a potential source of truth. Prior to he had wrote some odes: Ode on a Grecian Urn Already at the age of fifteen, Keats began to be attracted by books and particularly by classical antiquity.

Greek plastic art enchanted him and deeply influenced his poetry. He could sit for hours in front of the Elgin Marbles, since ancient Greek and poetry ment to him Beauty.

Analysis of Keats' To Autumn John Keats' poem To Autumn is essentially an ode to Autumn and the change of seasons. He was apparently inspired by observing nature; his detailed description of natural occurrences has a pleasant appeal to the readers' senses. Essay about Role of Nature in the Poetry of Keats and Wordsworth Words 5 Pages Nature played an important role in all works of the Romantics but I believe it is John Keats and William Wordsworth who understood not nature in themselves but themselves in . Shelley speaks of the eternal nature of Keats' poetry, which, although written at a specific time in literary history, addresses timeless issues such as life, death, love, sorrow, and poetic expression.

Thus he turned to the classical world for inspiration, but he interpreted it through the eyes of a Romantic. Keats is inspired by an ancient Greek vase, which he sees or imagines, to investigate the relationship of art and life. The urn is a symbol of ideal Beauty captured by art, above all classical art.

It has remained unchanged through time, just as ideal Beauty never changes. The figures on it are immortal too, but only at the price of remaining frozen at a particular moment in time, without completing their lives.

The poet, though, does not try to identify with them; he only contamplates a work of art, as the romantic tradition of the ut pictura poesis stated, deriving meditation from it.

Keats seems to be saying that art, beacuse it can capture the ideal and the eternal, is, in a sense, superior to life, which must come to and end, and that man, who is naturally mortal, can only express his sense of the ideal and eternal through art.

The trees, boughs, leaves i. I Thou still unravished bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What men or gods are these?

What struggle to escape? II Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone: She cannot fade, though thou hast not thy bliss, 20 For ever wilt thou love, and she be fair!

III Ah, happy, happy boughs! That cannot shed Your leaves, nor ever bid the Spring adieau; And, happy melodist, unwearied, For ever piping songs for ever new; 25 More happy love! More happy, happy love! For ever warm and still to be enjoyed, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloyed, 30 A burning forehead, and a parching tongue.

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IV Who are these coming to the sacrifice? V O Attic shape! With brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought 45 As doth eternity:NEWS OF THE UNIVERSE [Robert Bly] on vilakamelia.com *FREE* shipping on qualifying offers.

Acclaimed poet and translator Robert Bly, known most recently for gatherings in which he guides men to greater self-knowledge.

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Shelley speaks of the eternal nature of Keats' poetry, which, although written at a specific time in literary history, addresses timeless issues such as life, death, love, sorrow, and poetic expression.

To Autumn – John Keats The poem “ To Autumn” is written by the Englishman John Keats in The poem contains 3 stanzas each containing 11 lines.

Wordsworth and Keats: The Nature-Image - Research Paper